代寫留學生媒體學dissertation Punk music朋克音樂

介紹

朋克音樂是當今最流行的一種流派廣泛遍布全球。總之朋克音樂并不快,精力充沛的音樂,但它是一個亞文化總體來講,出現在1970年代中期美國和大不列顛。而且這是一個政治示威”的含義。這就是為什么它被認為是朋克音樂是政治原因。這音樂趨勢表示不同意保守主義、權威主義、民族主義、激進的資本主義,堅持“以人為本”的思想,antifascism反種族主義。

很多美國和英國朋克組的傳說類型成為他們;他們大部分的名字是已知的和重復即使在今天。他們開始不存在的地方,他們只是簡單地占據了適合的危機后嬉皮運動。

一些歷史的朋克音樂。在什么意義上有朋克被認為是“政治”嗎?

朋克煙霧繚繞的城市出現在美國70年代初。“Proto-punk”存在于60年代之前。那是一把吉他和鼓變得容易,這樣每個人都能購買或偷盜,因為它是由“性手槍”。首先建立了新的朋克音樂團體,俱樂部之后才出現的。蓬克搖滾樂迷定義自己是一個“一代沒有前途”或者是“失落的一代”。下半場第70屆在英國和歐洲的朋克傳播。

不是朋克運動起來在一片空白。所謂的“獨立”階段出生早得多一些,我們可以給小阿飛。這意味著那些演員和音樂家們都不應該進入"十大最優”為被聽見,一些成功的外表是足夠的,一些雜志講述他們一般公眾。

而在英語青年聽雷鬼、靈魂、搖滾樂和車庫巖石發展在美國。在60-s夜總會工作在美國的城市,在那里可以做不同的音樂家。人們都聽說過一個新成立的社會團體到那里看看,可以加入,在未來的。

建立在three-four和弦,完善和無顯著,“朋克搖滾”不僅僅是音樂,外觀或生活方式。朋克仍是實現“此時此刻”許多人的愿望,即使他們不知道他們的需求,他們知道如何,它可以得到的。喜歡那些人朋克,他很累,糖份舞蹈音樂太遙遠的形勢,占地方四周。

但蓬克搖滾樂迷不能消失——它是不可能阻止他們。

數以百計的業余樂隊發現自我表達,感覺自由自在的可能性從社會和父母。

但玩一些簡單的渴望,積極與元素的分離epatage沒有離開青年亞文化的代表,這些團體是“MC5”、“天鵝絨地下”、“奸細”和其他人。

天鵝絨地下豎立畸形丑陋的美麗和年級中還更令人驚訝的樂隊。在時間的嬉皮文化他們把作品,主題是一個禁忌:性別變體,藥物的消費增長,社會疏遠,殘酷的社會,完整和失望irreparableness未來在年輕人當中。通過這些問題,嬉皮只是提議去離開他們在天堂里自己的靈魂。與現代文明的毀滅行動是清楚地聽見的音樂和文本的“天鵝絨地下”。#p#分頁標題#e#

Introduction
Nowadays punk music is one of the most popular genres widely spread all over the world. All in all punk music is not fast and energetic music, but it is a subculture in general, that appeared in the middle of 1970-s in the United States and Great Britain. Moreover it is a protest with a political implication. That is why it is considered punk music to be political. This music trend expresses disagreement with conservatism, authoritarianism, nationalism and radical capitalism and adherence to the ideas of antiracism and antifascism.
A lot of American and British punk groups became the legends of their genre; most of their names are known and repeated even nowadays. They began their existence not from nowhere, they just simply occupied a fitting place after the crisis of hippy movement.
Some history of punk music. In what sense has punk been considered “political”?
Punk appeared in the smoky cities of America at the beginning of 70-s. “Proto-punk” existing in 60s preceded it. It was the time when a guitar and drums became accessible so that everyone could buy them or to steal, as it was done by “Sex Pistols”. Firstly punks created new musical groups, clubs appeared after. Punks defined themselves as a “generation with no future” or as a “lost generation”. In the second half of 70th punk spread in England and Europe.
Punk movement arose up not on blank space. The so-called “independent stage” was born much earlier than something that we consider to call punk. It meant that those performers and musicians were not supposed to get into “ten of the best” for being heard, several successful appearances were enough, and some magazine told about them to the general public.
While in English youth listened reggae, soul, rock-and-roll and garage rock developed in America. In the 60-s in America night-clubs worked in the cities, where different musicians could perform. People having heard about a new group arrived there to look at it and may be join it in future.
Built up on three-four chords, imperfect and not notable, “punk-rock” is not simply music, appearance or way of life. Punk is still the realization of “here and now” desires of great number of people, and even if they do not know their needs, they know how it can be got. Punk liked those people, who were tired from sugary dance music too distant from the situation that takes a place around.
But punks can’t disappear - it is impossible to stop them.
Hundreds of amateurish bands found self-expression, felt the possibility of being free from society and parents.
However aspiration to play simple, aggressive with the elements of epatage did not leave separate representatives of youth subculture, those groups were “MC5”, “Velvet Underground”, “The Stooges” and others.
Velvet Underground erected deformity, ugliness in the grade of beauty and were yet more surprising band for their time. In the time hippie culture they lifted themes in the works which were a taboo: sexual perversions, growing consumption of drugs, social alienation, cruelty of the society, complete irreparableness and disappointment in the future among young people. These problems were passed by, hippie simply suggested to go away from them in paradise of own souls. And the destroying action of modern civilization was clearly heard in the music and texts of “Velvet Underground”.#p#分頁標題#e#
Wave of drug addiction, overflowing America as a result of hippie subculture, awareness of complete failure of intruding to Vietnam, attempts which did not result in diminishing of opposition of two countries, as Russia did not want to part with an idea of “world revolution”, cruel economic crisis, breaking out at the beginning of 70th - here the marks of disappointment of young people in own society and in those, who manages them.
So, soon the idols changed. They became “Talking Heads”, “New York Dolls”, “Ramones”, “Sex Pistols” which appeared to become the first punk-musicians of the second, real wave of punk.
In succeeding years a great amount of punk bands appeared on a horizon of modern music and naming them and their history we can spend a lot of time.
According to some historical data written before, we should mention that youth belonging to punk movement have always been unsatisfied with some political situation in this or that country. Moreover belonging to different subcultures (subgroups) that appeared in the early 80-s and later, for example: Emo, Goth, Grunger, Psychobilly and many others determine some political, apolitical and religious beliefs.
A lot of punk groups maintain a social movement of anarchism, singing about chaos and anarchy. Some light up and raise up the concepts of patriotism and socialism, depicting the working class, their troubles and the injustice that surrounds them. Of course it must be mentioned some kind of conservatism, racism, value of life, atheistic and nationalism in their songs.
Conclusion
Scarcely anybody saw something more provoking than punks. Their original appearance became a method to enter their protest against those, who had to pay attention on them earlier, but did not do it. Hair standing on end everywhere painted in frightening colors (yellow with lilac or orange with green), made up eyes, spots of lipstick, old and lacerated jeans clothes, leather jackets, dirty shirts with shady curses, scenes of violence, political slogans and prevocational proclamation, pins, collars and dog’s leads, chain stretching from one leg to other, dried mice on a rope and so on, all in all unhealthy and repellent appearance is just self-expression from a rubbish heap showed for everybody to be noticed.
But in an order to understand the purpose of any punk, it is necessary to be not a person of narrow interests, sitting in the burrow and looking out from it at the surrounding world, but to live in it, and for this purpose it is necessary to become freer. Not all can take the liberty with such luxury.
Punk was an attempt to turn their attention to what takes place, to obtain that they noticed something, but they did not do it. In any case, punk of the year 1977 prepared a basis for subsequent musical 留學生媒體學dissertationdirections which would not arise up without its appearance and support.

Bibliography
1. Michael Bennet. “Political Punk: Tour takes on the system”. 23#p#分頁標題#e#
2. September 2004. Daily Lobo. 21 March 2007.
3. “Punk subculture”. 21 March 2007. Wikipedia, the free encyclopedia. 21 March 2007.
4. “Punk ideologies”. 20 March 2007. Wikipedia, the free encyclopedia. 21 March 2007.